
St
Aiden’s Literature
Arts

It was first published in 1847
under the pseudonym Ellis Bell, and a
posthumous second edition was edited by her sister Charlotte. The name of the
novel comes from the Yorkshire manor on the moors
on which the story centres. The narrative tells the tale of the
all-encompassing and passionate, yet thwarted love between Heathcliff
and Catherine Earnshaw, and how this unresolved
passion eventually destroys both themselves and many around them.
Now considered a classic of English literature,
The narrative is non-linear, involving
several flashbacks, and involves two
narrators – Mr Lockwood and Nelly Dean. The novel opens in 1801, with Lockwood
arriving at Thrushcross Grange, a grand house on the
Yorkshire moors he's renting from the surly Heathcliff,
who lives at nearby
Nelly takes over the narration and begins her story thirty
years earlier, when Heathcliff, a foundling living on the streets of Liverpool, is brought to
A year later, Hindley's wife dies
giving birth to a son, Hareton; Hindley
takes to drink. Some two years after that, Catherine agrees to marry Edgar.
Nelly knows that this will crush Heathcliff, and Heathcliff overhears Catherine's explanation that it would
be "degrading" to marry him. Heathcliff
storms out and leaves
Catherine dies giving birth to a daughter also named
Catherine, or Cathy. Heathcliff becomes only more
bitter and vengeful. Isabella flees her abusive marriage a month later, and
subsequently gives birth to a boy, Linton. At around the same time, Hindley dies. Heathcliff takes
ownership of
Twelve years later, the dying Isabella asks Edgar to raise
her and Heathcliff's son, Linton. However, Heathcliff finds out about this and takes the sickly,
spoiled child to
During his absence from the area, however, events reach a
climax; Cathy gradually softens toward her rough, uneducated cousin Hareton, just as her mother grew tender towards Heathcliff. When Heathcliff
realizes that Cathy and Hareton are in love, he
abandons his life-long vendetta. He dies broken and
tormented, and Catherine and Hareton marry. Heathcliff is buried next to Catherine (the elder), and the
story concludes with Lockwood visiting the grave, unsure of what to feel.
Heathcliff is the central male character
of the novel. An orphaned foundling raised by the Earnshaw
family, he fell passionately in love with his foster sister, Catherine Earnshaw, whilst at the same time nursing a bitter rivalry
with his foster brother, Hindley. A passionate,
vindictive man, his anger and bitterness at Catherine's marriage to Edgar
Linton sees him engage in a ruthless vendetta to destroy not only his enemies
but their heirs, a crusade that only intensifies upon Catherine's death. Catherine
Earnshaw is Heathcliff's
adoptive sister. A flightly, free-spirited and
somewhat spoiled young woman, she returns Heathcliff's
passionate love but doesn't consider herself able to marry him, instead
choosing another childhood friend, Edgar Linton. Upon Heathcliff's
return, her physical and mental health is destroyed by the feud between Heathcliff and Edgar, and she dies in childbirth. Edgar
Linton is a childhood friend of Catherine Earnshaw's,
who later marries her. A mild and gentle man, if slightly cold, cowardly and
distant, he loves Catherine deeply but is unable to reconcile his love for her
with his bitter antagonism with Heathcliff, and it's
partly this which leads to Catherine's mental breakdown and death. He is
incapable of competing with Heathcliff's guile and
ruthless determination. Hindley Earnshaw is Catherine's brother and Heathcliff's
other rival; having loathed Heathcliff since
childhood, Hindley delights in turning Heathcliff into a downtrodden servant upon inheriting
|
1757 |
Hindley born (Summer) |
|
1762 |
Edgar
Linton born |
|
1764 |
Heathcliff born |
|
1765 |
Catherine
Earnshaw born (Summer); Isabella Linton born (late
1765) |
|
1771 |
Heathcliff is brought to |
|
1773 |
Mrs
Earnshaw dies (Spring) |
|
1774 |
Hindley is sent off to college |
|
1777 |
Hindley marries |
|
1778 |
Hareton is born (June); |
|
1780 |
Heathcliff runs away from |
|
1783 |
Catherine
marries Edgar (April); Heathcliff comes back
(September) |
|
1784 |
Heathcliff marries Isabella (January); Catherine dies and Cathy is
born (20 March)' Hindley
dies; Linton Heathcliff is born (September) |
|
1797 |
Isabella
dies; Cathy visits |
|
1800 |
Cathy
meets Heathcliff and sees Linton again (20 March) |
|
1801 |
Cathy
and Linton are married (August); Edgar dies (September); Linton dies
(October); Mr Lockwood goes to Thrushcross Grange
and visits |
|
1802 |
Mr
Lockwood goes back to |
|
1803 |
Cathy
marries Hareton |
Though tourists are often told that Top Withens,
a ruined farmhouse, near the Haworth parsonage, is a the model for Wuthering
Heights, it seems more likely that the now demolished High Sunderland Hall, near
Halifax was the model for the building.
This Gothic edifice, near Law Hill, where Emily worked briefly as a
schoolmistress in 1838, had grotesque embellishments of griffins and misshapen
nude men similar to those described by Lockwood of Wuthering Heights in chapter
one of the novel: » "Before passing the threshold, I paused to
admire a quantity of grotesque carving lavished over the front, and especially
about the principal door, above which, among a wilderness of crumbling griffins
and shameless little boys, I detected the date "1500"".
The originals of Thrushcross Grange have been
detected at Ponden Hall
near Haworth and, more likely, Shibden Hall,
near
Traditionally, this novel has been seen as
a unique piece of work conceived in solitude by a genius confined to the
lonesome heath, and as almost detached from the literary movements of the time.
However, one may be surprised to learn from the Biographies that, besides
Charlotte, also Emily (even though she kept up a somewhat monkish behaviour and
returned to
The brother-sister relationship between Heathcliff
and Cathy (who are brought up together) is reminiscent of the
brother-sister-couples in Byron's epics (together with the idea of a shared
identity, as expressed in the famous "I am Heathcliff!"),
with the role of the Byronic hero quite well-cast.
There may still be a multitude of other influences yet uninvestigated,
as, for example, the scene of a woe-begone Catherine
plucking feathers from the sofa-cushion and naming the birds they once belonged
to evokes Ophelia handing out her various
flowers.
The novel contains many Gothic and supernatural elements
although the true nature of the latter is always ambiguous. The mystery of Heathcliff's parentage is never solved: described by Hindley as an 'imp of Satan' in chapter four, by the end of
the novel Nelly Dean is entertaining notions that Heathcliff
may be some hideous changeling or vampire.
The awesome but unseen presence of Satan is also alluded to at several points
in the novel and it's noted in chapter three that 'no clergyman will undertake
the duties of pastor', at the local chapel, which has fallen into dereliction.
Ghosts also feature: at the beginning of the novel, Lockwood
has a horrible vision of Catherine (the elder) as a child, appearing at the
window of her old chamber at Wuthering Heights, begging to be allowed in; not
only does Heathcliff, on hearing of this, lend it
credence, but when he dies it's noted that the window of his room was left
open, raising the possibility that Catherine returned at the moment of his
death. After Heathcliff dies, Nelly Dean reports that
various superstitious locals have claimed to see Catherine and Heathcliff's ghosts roaming the moors, although in the
closing line of the novel Lockwood discounts the idea of "unquiet slumbers
for those sleepers in that quiet earth."
Maryse Condé's novel Windward
Heights adapted
Sylvia Plath
and Ted Hughes both have poems titled
"
Ann Carson wrote a poem titled "The
Glass Essay" in which is woven multiple references to
James Stoddard's novel The
False House contains numerous references to
Jasper Fforde's Thursday Next novels often mention Heathcliff as the most tragic romantic hero.
In the preface of his novel Le bleu du ciel, the French writer Georges Bataille
states that, in his view, Wuthering Heights belongs to those rare works
in literature written from an inner necessity.
The opening line of Joseph Conrad's Heart of
Darkness is a reference to Nellie Dean and to the inset narrator used to
recount the stories from both novels.
1920: the earliest version of
1939: Wuthering Heights,
starring Merle Oberon as Catherine Linton, Laurence Olivier as Heathcliff,
David Niven
as Edgar Linton, Flora Robson as Ellen Dean, Donald Crisp as Dr. Kenneth, Geraldine Fitzgerald as
Isabella Linton and Leo G. Carroll as Joseph Earnshaw. The film was adapted by Charles MacArthur,
Ben Hecht and John Huston. It was directed by William Wyler.
The movie was nominated for the Academy Award for
Best Picture. It didn't depict the entire novel, portraying only half.
In 1948 BBC Television staged a live 90-minute version of the
novel. This wasn't recorded.
A 1953 adaptation on BBC Television was
scripted by Nigel Kneale,
directed by Rudolph Cartier and starred Richard Todd as Heathcliff and Yvonne Mitchell as Catherine.
This version doesn't survive in the BBC archives. According to the Kneale, it was made simply because Todd had turned up at
the BBC one day and said that he wanted to play Heathcliff
for them; Kneale was forced to write the script in
only a week as the adaptation was rushed into production.
A 1954 (loose) Spanish-language adaptation
filmed in
In 1962, BBC Television screened a new
production of their 1953 version. This was again produced by Rudolph Cartier
and has been preserved in the archives. Kneale's
adaptation concentrates on the first half of the novel, removing the second
generation of Earnshaws and Lintons
entirely. Claire Bloom played Catherine and Keith Michell
was Heathcliff.
1970: Wuthering Heights
starring Timothy Dalton as Heathcliff
and Anna Calder-Marshall as Catherine (the elder). It doesn't cover the whole
story.
1970: Monty Python's Flying
Circus Season 2 episode # 15 featured a sketch "The Semaphore Version of
1978: Another BBC adaptation, directed by Peter Hammond and produced by Jonathan Powell, with
screenplays by Hugh Leonard and David Snodin.
Ken Hutchison plays Heathcliff and Kay Adshead
plays Cathy. This adaptation covers the whole story, and has been reissued on DVD.
1985: French film adaptation Hurlevent
by Jacques Rivette.
1991: A Filipino film adaptation Hihintayin Kita Sa Langit,
starring Richard Gómez
and Dawn Zulueta.
It was reprised in 2007 with an English title, The Promise, starring Richard Gutiérrez
and Angel Locsín.
1992: Emily Brontë's Wuthering Heights starring Juliette
Binoche in two roles, Catherine Earnshaw and her daughter, and Ralph Fiennes as Heathcliff.
1998: Adaptation by Neil McKay for London Weekend Television
directed by David Skynner
and starring Sarah Smart as Catherine and Robert Cavanah
as Heathcliff. Also broadcast by PBS
television as part of Masterpiece Theatre.
2003: Wuthering Heights
for MTV.
It starred Erika Christensen, Mike Vogel, and Christopher Masterson.
In 2006 it was reported that a
new film adaptation was in development, with Angelina Jolie
and Johnny Depp
presently attached to star, however, no further developments appear to have
been forthcoming. M. Night Shyamalan
was once offered the project to direct, but he turned it down to work on The Village, which he
later revealed to be inspired partly by the novel.
ITV has commissioned a new remake, to be adapted by Blackpool writer Peter Bowker.
The three-hour Bronte is expected to be broadcast in early 2008.
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